Museum of Fine Arts

Ceci n'est pas une plante.
It's a 42-foot-tall “Lime Green Icicle Tower,’’ a glass artwork by Dale Chihuly.  

We went to see the Magna Carta exhibit,  "Return of the Dragon" (three recently restored works by Shōhaku), and "D is for Design."

The content of the Magna Carta exhibit was well-chosen, but I didn't like the way it was displayed.  

The Magna Carta itself was presented like a relic, rather than an item to be read; it was raised up high and at an angle where it was virtually impossible for me to make out any words.   They could have placed a magnifying glass over part of the text, or -- even better -- displayed an enlarged facsimile of the actual text on the wall nearby for careful perusal.  I would have loved to have the opportunity to pick out individual words in medieval Latin, and perhaps I might have even gotten a sense of the sound and feeling of the document.  

Unfortunately, the few excerpts that they chose to display on the wall did not fit the bill.  They were rendered in modern English, and yet were rendered essentially unreadable in the dim light because they were grey on dark blue.  (By contrast, an enlarged image of the actual document would have been easier to read, because it is dark ink on a light background.)   This was tremendously disappointing.  

The Shōhaku exhibit was fascinating - insights into the restoration process.  And a predecessor of sorts to Roy Lichtenstein, at least in his "drunken" cartoon-like work, Dragon and Clouds.

Shōhaku's hawk, apparently channeling the Soga school

Close-up of "Dragon and Clouds" (1763)

Dragon Claw

Tiger Claws

Hawk talons

In between exhibits, we saw some south american works (including one vessel in the form of a rat, and another vessel adorned with copulating rats) and some Indian works (there was a really beautiful one of Shiva, and a fascinating one of a powerful warrior god wearing an elephant skin on his back, holding a demonic consort with two arms (while the other 24 or so hold various weapons, symbols, tools)...

Lucas Kilan, German, 1579-1637, "X"
In the "D is for Design" exhibit, they said: Believe it or not, we don't have any designs
in the collection by an artist whose last name begins with X.  If you know of any great designers
who fit the bill, please do get in touch.  In the meantime, here is an X to mark the spot.